Kate Bush News

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NEW ALBUM NEWS!

Well, hello there! It’s been twelve long years since The Red Shoes in 1993, but finally in a press release this morning EMI Records have proudly confirmed the fantastic news: Kate’s hugely anticipated new work, her eighth studio album, will be released worldwide on November 7th 2005 (Nov 8th in USA). It will be a double album.

It is entitled Aerial. The first single King Of The Mountain precedes the album on October 24th. Both the single and album are produced by Kate Bush. This site, in conjunction with HomeGround The Kate Bush Magazine will keep you up-to-date on everything you need to know as the excitement mounts. Be sure to visit our busy site forum to discuss the release of this brand new music. Kate Bush is back in business, we are delighted and we wish her all the very best over the coming months.

Album rumours abound!

The last couple of months have seen a flurry of speculation online and in the media about Kate’s new album. All of it remains unconfirmed by EMI UK and Kate. Thanks to everyone for keeping this site posted as each nugget came to light. I’m going to do a brief re-cap over the main reported speculation in this update, in the hope that before very long we’ll be thrilled by the fanfare of the official announcement and press release. So please be warned, much of the following remains unconfirmed and so must fall under the heading of “rumour” for now. Update: see August 31st news above!

The most recent buzz, and possibly the most prominent mention has appeared at the Rolling Stone website on it’s “In Brief” music news section which stated that “Kate Bush will release the follow-up to The Red Shoes, her first studio album in twelve years, on November 8th” See that here. Previous reports from those who “knew someone in EMI” or had contacted local EMI offices in Europe had mentioned a 17th October release date, such as the EMI Germany release sheet here. “Dooley’s Diary” in a recent issue of Music Week reported on EMI’s management conference in Munich, “On the subject of the Munich event, Dooley hears that the lucky attendees even got to hear a couple of tracks from the new Kate Bush album. It is definitely on its way, folks.” We also know that the chairman of the EMI Group announced on July 14th 2005 at the general annual meeting that a Kate Bush release is expected during this financial year, you can read this press release here. Sean Neil reported that EMI have received the delivery of the finished album back in June on his Sky News “Showbiz slot”. He said “I can finally reveal that Kate has now delivered her new epic to her label EMI and is ready for an autumn release. According to my mole there, bosses were blown away by the eclectic collection of styles and guest stars on the album, so much so that all of them signed to an agreement to keep schtum about the playback until its release later this year. Whilst she has only ever toured once before, Kate does have plans to make a mini DVD to help promote the singles on the album, which will also be out around the early part of next year. It’s great to have you back Kate”. Finally, reports that Amazon in Japan and elsewhere are already listing a double-disc set have fuelled much speculation as to the format that the new release will ultimately take. (thanks to Andrew Skinner, Piotr, Kevin, Wilson Snook, Sylvain, Burkhard and to everyone whose been emailing me, greatly appreciated.)

Newsbits round-up

In the UK the NSPCC has launched a DRTV advertising campaign showing vulnerable children at risk from abuse, in an attempt to boost donations. The advertising, in 60-, 40- and 10-second versions, features Kate’s song ‘This Woman’s Work‘ and a voiceover by actor Michael Sheen. Kate allowed the use of the song free of any charge, Marian Rose, head of direct donor marketing at the NSPCC, said: “Parts of Kate Bush’s song could have been written especially for this ad.” Read more here (thanks to Nathan & Kyla)… here (thanks to rblazon)…The Boston Herald has reported that Pat Benatar has performed Wuthering Heights live for the first time Patrick Wolfin many years. Read more here (thanks John)…Alison Moyet was answering a series of fan questions on her fan site, and she revealed that she had considered doing a cover of The Man With The Child In His Eyes for her most recent album “Voice.” She says “…Kate’s people wanted to hear it before they gave permission and that for me was like going back to seeking record company approval for comfort. Its what I am determined to avoid…too dangerous anyway because if they knocked it back I would have felt bad and that would have coloured the way I listened to Kate and I don’t want that to happen because I love her work purely and I want to maintain that feeling.” Read more here (thanks to Steve Coats)…English singer-songwriter Patrick Wolf (pictured right) has been keen to show a little devotion to our Kate in recent interviews and – on the British Council’s online radio show, Selector – chose ‘Oh England My Lionheart’ as his favourite British track from the past. Patrick has also been playing ‘Running Up That Hill’ as part of his set on his recent tour (see here). Patrick also talks about Kate in this interview here: “When I was growing up my Mum really played Joni Mitchell and Kate Bush. I totally forgot about Kate Bush until I was about 20 so it was only in the last year after Lycanthropy came out. People started saying Kate Bush this, Kate Bush that so I bought ‘Hounds of Love’. Then a lot of people were saying about how she was the same age as me when she released her first album. She’s somebody in the last year that’s really given me confidence that there are ears out there for my work.” Read more about Patrick at his site here. (thanks to Michael Richardson, Traxtv and rblazon)

The new biography of Kate by Rob Jovanovic (pictured) will be released on Oct 25th. Signed copies are being pre-booked at the Kulture Shock site here where a signing is being organised with the author…a recent review of John Mendelssohn’s Waiting For Kate Bush book by Sharil Dewa of the Malaysian Star summed up the book by saying “While it is hardly earth shattering, Waiting for Kate Bush is an entertaining stopgap for Kate and non-Kate fans alike. Those who find Kate intolerable will find some amusement in Mendelssohn’s exploration of the quest for instant celebrity and Kate fans can find comfort in this Kate-related tome while waiting for the next opus from Ms Bush.” (thanks to Peter Molloy)…Kiki Dee did a cover of Running Up That Hill at the Womad Festival, she includes her version of the song on her newly released Walk Of Faith CD (thanks Cathal and Nathalie)…on August 23rdTori Amos covered And Dream of Sheep in her concert at Saratoga Springs NY, look at the 2005 downloads section at this site to listen to this and also a version of Running Up That Hill that she performed recently also. (thanks to James Russell)…Dutch singer Birgit Schuurman has sang a piano version of Wuthering Heights (find the show by searching for her here (thanks to Dik)…Coronation Street actress Debra Stevenson has appeared on ITV’s Celebrity Stars In Their Eyes, dressed as Kate singing Babooshka. She has also released the track on her “In the Sunshine” CD. Jonathan Ross has played the track on his BBC Radio 2 show on June 18th when he revealed that his wife had also been asked to go on the show as Kate (thanks Charles)…Kate was featured in the August issue of Russh magazine in Australia, once again as a fashion icon (see the scan here – thanks to ally and John)…a nine DVD box set of the Comic Strip Presents has been released on the 4th July which includes Kate acting in Les Dogs and providing the soundtrack to GLC. Her appearance in the set was mentioned in the Empire magazine review: “…and Kate Bush is in the baffling Les Dogs.” (thanks to Richard and Stevo)…video work by Kate was featured in the recent New York Video Festival, read more here (thanks to Darrell)…

U2 compiled a “U2 Jukebox” CD to be given away free with the July 2005 Mojo Magazine. It featured The Futureheads hit version of Hounds Of Love (thanks Anneke)…Kate is mentioned in the book “Too Much Too Young – Popular Music Age and Gender” by Sheila Whiteley (thanks Henrik)…Swedish pop singer Robyn has been compared to Kate and mentions Hounds Of Love as one of her favourite albums. In an interview with Rodeo Magazine her song Be Mine is compared to Cloudbusting for its staccato strings and vocal refrain. She says: “of course, she’s there too. The reason it sounds like Kate Bush is probably mainly that the strings are so dry” (thanks to Henrik)…Goldfrapp have a new album out, “Supernature”, and once again the Kate comparisons are flying. From The Observer: “Those two grand dames of pop, Madonna and Kate Bush, are both due to release new albums in the coming months. An unlikely diva, the petite Alison Goldfrapp, may just have made one of those albums redundant and seriously compromised the sense of occasion surrounding the other. An eccentric English woman with a very fertile imagination has just made a great record…it isn’t quite a masterpiece (like, say, Bush’s Hounds of Love), but it’s as near as dammit in 2005 and deserves to be massive.” (thanks to Johnny)…this month’s Q magazine includes a small pic and review of The Red Shoes. They suggest a re-listen, give it a 4 star rating and say Kate sounds like nobody else, except Tori Amos. (thanks Ben)…here’s something a bit different, Ariel Pink has recorded “a love song to Kate Bush” according to Wire magazine. You can watch the video of “For Kate I Wait” here (thanks Peter)…Finally, Thomas Dunning, producer of the I Wanna Be Kate tribute CD had me on his Internet radio show, “Hoot Radio“, as his guest on July 28th. We got to chat about music and play some of our favourite tunes. It’s a two hour show but you may like to listen to the audio stream. Obviously we do talk about Kate for quite a while and I play a Kate track, you’ll hear that about 54.30 minutes into the show. Click on the link for Hoot Radio with Thomas here (thanks Thomas, it was a lot of fun!)

Welcome to the new site address! – www.katebushnews.com

Hi all. As we gear up for KB8 it’s become obvious to me that I need more space. The old site was hosted for free with eircom.net and is limited to 10MB in size – basically, it’s full! So I have moved the entire site over to this new address which gives me 25 times the space to host the site, much more control and basically puts me in a much better position to cope with the daily news that’s going to be pouring in come album time. This improved hosting is going to cost money so I will have to consider some sort of discreet advertising (such as Google ads) somewhere on the site, something that I’ve managed to avoid for the last 7 and a half years. Don’t worry, I hate ad banners so will keep it to a minumum! The old eircom address will remain for the time being but please do update your bookmarks and spread the word. At the moment the new address simply mirrors all of the content from the old site, but over the next while I will be re-structuring the news section to deal with the practicalities of the upcoming expected volume of updates. Thanks as always for all your help and support, here’s looking forward to the excitement of hearing that voice again. Seán T

Huge Newsbits round-up!

5th June 2005: Coldplay have just released their new album, X&Y. In several recent interviews the band has revealed that the new single Speed Of Sound was inspired by Kate. Bassist Guy Berryman admitted that it was written in an attempt to copy the drum sound in Kate Bush’s “Running Up That Hill.” Singer Chris Martin said that the track was written in the summer of 2004 and inspired by two very different women; Kate and Martin’s daughter Apple, who was just a few months old at the time. “That’s a song where we were listening to a lot of Kate Bush last summer, and we wanted a song which had a lot of tom-toms in it,” Martin said. “I just had my daughter up also, and was kind of feeling in a sense of awe and wonderment, so the song is kind of a Kate Bush song about miracles.” (thanks to Kevin Tachman, Kyla)…HomeGround 75 - Spring 2005 issueHomeGround has reached something of a milestone recently with the publication of issue 75 of the much-loved Kate Bush magazine – the Spring 2005 edition. Congratulations to Peter, Krys and Dave! Also on the 18th May Homeground celebrated 23 years of producing the mag. Krys says “Thanks to everyone who has stayed with us in the quiet times and continued to support us and the magazine. Big hugs.” As well as the usual comprehensive news round-up the issue features more poetry including pieces by Kate’s brother John Carder Bush, a review of the recent highly successful Kate tribute night at Duckies (see below for news on their second event in October), reviews of the Waiting For Kate Bush book, some ghostly and seductive fiction, a piece on the latest CD and DVD audio technology and more. Subscription info can be found here

Music journalist and author Rob Jovanovic is putting the finishing touches to his biography of Kate due to be published by Piatkus in November. Rob has written for the likes of Q, Mojo, Uncut, Record Collector and many others and has had books published on Beck, REM, Pavement and Nirvana. He has contacted me looking to see if any site visitors would have photographs of Kate which might be a bit different from the usual oft-used promo-shots and press archives (i.e. good quality personal snaps from signings/appearances etc). Rob says that he can offer an advance copy of the book for anyone who can help. You can email him at robj@innotts.co.uk…Kate is up for the Mojo Songwriter award this year. Paul Weller, Van Morrison, Damien Rice, Brian Wilson and Kate are all nominated. “While other awards celebrate the biggest names and the best releases of the preceding year, we believe there’s long been a need to properly honour the extraordinary talents of the artists, bands and songwriters whose careers have been responsible for enhancing our rich musical culture,” explained Mojo editor-in-chief Phil Alexander. The Mojo Honours List winners will be announced at a ceremony at the Porchester Hall in Bayswater, London on June 16. To vote for this award email mojo radio now at studio@mojo4music.com or pick up a voting form from any branch of HMV. Read more here (thanks Kris)…Sandy Shaw was one of the guests at the Queen’s music industry party om March 2nd. She wrote in the New Statesman: “I really enjoyed meeting some of my Eighties musical heroes for the first time, like Peter Gabriel, Joan Armatrading and Kate Bush. Peter admitted to having me as a bedroom pin-up as a boy; Joan informed me she was now chair of Women in Music; and Kate took us on a grand tour of the Queen’s art collection, which adorned the walls. She was ecstatic. “Can you believe it? That’s a real Rubens up there. Fancy having that in your front room,” Kate bubbled. I turned around and there was Da Kween (sic) in a bright turquoise suit smiling at me holding out her hand to be shaken (no gloves) She chatted away amiably and even managed to look interested as I explained my latest foray into European copyright law. All the while Kate Bush was rummaging in her handbag. Suddenly, she produced a pen and some paper. “Would you mind awfully signing this for my son?” she asked sweetly. The Queen looked lost for words. “I think that’s a pop star thing Kate” I mumbled. The Queen seemed pleased to be let off the hook. “Quite right” she answered as an equerry quickly hustled her away” The Guardian also mentioned “60s pop sensation Sandie Shaw having to rescue Ma’am from the autograph-hounding ways of Ms Kate Bush…” You’ll be glad to hear that Kate was defended in a letter from Sandra Spiers in the London Evening Standard: “How rude of Sandie Shaw to correct Kate Bush for approaching the Queen for an autograph. Clearly it was Bush who was doing the polite thing. I seem to remember that when Bush was invited to a royal function to mark the Golden Jubilee, the Queen, in a similar scenario to her recent meeting with Eric Clapton, did not appear to know who she was. Could Shaw not have been gracious enough to let her fellow singer demonstrate that at least she was in no doubt who she was talking to?” (thanks to Wayne)

Byblos "mood wall" featuring KateByblos Kate fashionsWe’ve reported on the widespread embracing of Kate as a fashion icon by designers and artists this year. Greg Myler, the English designer for the Italian label Byblos, has written to me to tell me more about their Kate-inspired Milan show. “I wanted to tell you how our Autumn Winter 2005/06 show was inspired by Kate. I am a huge fan and hearng about her new album release decided to base all the show on her, using her eclectic and original style as a starting point. We used a mood board of photos and album covers as a backdrop for interviews and television. We did a fantastic electronic remix (lasting around 20 minutes) for the show with Gak Sato, a famous Japanese musician and dj. He mixed “Wuthering Heights”, “The Sensual World” and “Running up the Hill” with moody and sexy Bedrock tracks that had all Milan rocking! I was surpised how big she is in Italy and all the Italian press loved the idea of using her as inspiration.” (thanks Greg, hope the Kate-inspired designs are a big hit this year)….according to the Guardian newspaper composer Michael Nyman has plans to release an album of songs arranged for popular singers including Beth Orton, Kate Bush and Norma Winstone. Read more here. (Thanks to PDFM and Kelv)…anyone who has read the reviews of the Duckie Kate Bush tribute night on the site forum or in Homeground 75 will know that it was a resounding success. Paul Thomas in Homeground reported a “sea of leg-warmers, lycra, leotards and faded old t-shirts from the 70s and 80s.” Images of Kate were projected on big screens, a man sculpted a topiary Kate (!), a lady was making Kate Bush badges, another lady offered Kate makeovers including a lot of crimping and many acts, including Kiki and Herb and Fake Bush, performed on the night. For info on a second KB event at the club visit this site here (thanks to Paul and to Orla Murphy)…it’s Big Brother time again on Channel 4 in the UK. One of this year’s contestants, Kemal, was seen skipping around the garden in a red floaty dress with fellow housemate and witch “Scary” Mary when he exclaimed “I feel like Kate Bush!” (thanks to Lou, Andrew and Stunning)…an article about the American sculptor Thomas Ostenberg mentions that Kate owns one of his works. Kate has previously thanked Thomas in relation to the “Strange Fruit” sculpture that she did for Warchild in 1996 (read that here)…US broadcasterBruce V. Bracken has written to let me know that he “had the distinct pleasure of discussing Kate Bush with Dr. Camille Paglia, author of “Sexual Personae”, as she stopped here in Seattle on a promotional tour for her new book, “Break Blow Burn”. I asked her for her opinion on Kate’s work, and she gushed that she is a true performance artist, and that her favorite song is “Running Up That Hill”. (thanks Bruce)…The much-lauded Antony and the Johnstons have released their new album I Am A Bird Now. Singer Antony remembers being a kid and doing slow-motion cartwheels in the style of Wuthering Heights for the neighbours. “I remember watching Kate Bush on television” he says “and thinking – gasp – who is she? I want to be like that!” The bands music has been described as ‘antique torchsongs’. Guests on the album include Lou Reed, Rufus Wainwright and Boy George. (thanks Monty).

The Scotsman has ran an article on March 26th celebrating the more unusual “outsider” arists emerging at the moment including Joanna Newsom and Antony and The Johnstons. “…there is something in the air, and it bodes well for the imminent, long-delayed return of that queen of musical misfits, Kate Bush. Bush, lest we forget, launched her career just as the UK was in the grip of Punk. Bush has been heroically ignoring both fashion and received commercial wisdom ever since, whether dressing like a gay pirate, getting Rolf Harris to play didgeridoo on one of her songs, or baffling most of her hard-won audience with The Dreaming, one of the most pigheadedly uncommercial albums ever released on a major label. Given that Kate Bush has released nothing since 1993’s The Red Shoes, her return will be one of the biggest musical events of this year. Her influence can be detected everywhere – Gwen Stefani’s loopy performance at the Brits, in particular, was very Kate Bush – but it’s a good time to remind ourselves that, if she has become something of a national treasure, it has a lot to do with the fact that a genuine misfit – 1978’s equivalent of Antony or Joanna Newsom – became a huge star…I suspect that Kate Bush’s extended absence will make people like her all the more. She has stayed away so long, by all accounts, simply because she was enjoying being a mother, and had no great interest in either releasing music or remaining famous simply for the sake of it.” (thanks to RBlazon on the guestbook)…The 25th March edition of the Irish Examiner newspaper had a front page colour pic of Kate (the one we’ve all seen – wearing her headscarf arriving at Buckingham palace) with the tagline “Heights Of Fame. Which ’80s superstar, who racked up 10 million album sales and a personal fortune of €36 million, is due for a comeback?” The feature itself, “Beating Around The Bush” is on page 15. “Widely adored, totally reclusive and rumoured to be making a comeback, the unique Kate Bush has Suzanne Harrington on her trail….Imagine being so idolised that a rare posting on a website – not even your own, because you don’t have one – starts a flurry of media attention. Without ever confirming a release date for your latest album – the first in 12 years and counting – newspapers write breathlessly of your comeback and your trademark legwarmers and jumpsuits duly appear on the pages of Elle Girl and the catwalks of London Fashion Week….Barely able to contain my excitement, I call EMI, Kate’s long-suffering record company, for the release date of the long-awaited album. A weary voice sighs down the phone. ‘We don’t know,’ says the EMI spokesperson resignedly. We’re waiting and waiting for Kate Bush. Like everyone else.’ The spokesperson went on to say that, although there is an album due from Ms Bush, who has been working on it in her own recording studio, as yet there is no definite release date…in the age of instant pop noodle – just add Louis Walsh and stir – Kate Bush is an anachronism, a rich, talented recluse who just wishes to be alone. So who is she, this woman who keeps everyone waiting decades but is still adored?” The 2/3 page article goes on to outline Kate’s career in the usual way and concludes with: “However, now that her son is seven, Kate Bush is due to give her adoring fans what they have been waiting for – a new album. Watch this space. Patiently”. (thanks to Thomas Dunning)

Cover versions round up: Coronation Street star Debra Stephenson has covered Babooshka on her new CD. Apparently Wuthering Heights was the first single she ever bought. Read more here (thanks to Richard, David, Dylan and John)…The Decembrists (with singer Petra Haden) have covered Wuthering Heights. Read more hereGene Manuel has made his version of Under The Ivy available for download here…Hounds of Love is on a new EP by the recently reunited Australian band Frente, fronted by Angie Hart. More here (thanks to Will and Greg)…Swimmer One, an electronic pop duo from Scotland have released Cloudbusting as a single featuring Cora Bisset on vocals. Read more here (thanks Yiannis)…Les July has made his video of Running Up That Hill available for download here (thanks Les)

Rapunzel - click on image for larger versionThere is a feature article on Kate in this month’s arty Black & White magazine from Australia on Kate’s comeback (thanks to Ariel)…The Complete Comic Strip collection has been released on DVD (£34.99 at Play.com) and it includes Kate’s music in the GLC and her starring role as the bride in the 1990 short film Les Dogs. (thanks Richard)…7th April the popular daytime ITV show ‘This Morning’ featured the TV wedding of Coronation Street soap characters Deidre Rashid and Ken Barlow. At the beginning of the item, Kate could be heard singing her version of Gershwin’s “The Man I Love” (thanks to Krys Boswell)…Sister Bliss of dance act Faithless has named Never For Ever as one of her three defining musical moments in the March edition of ‘Juice’ a local magazine in Brighton…”Rapunzel – A Modern Fairytale” by Lynn and David Roberts is a children’s book about Rapunzel, set in a tower block in the 1970s, and Rapunzel happens to be pictured listening to “The Kick Inside”, holding the cover, and having a giant poster of Kate (from the Lionheart inside cover) staring down at her! (thanks Louise – click on the picture for a larger image)…Tory Co-Chairman Liam Fox is a Kate fan. “I love Hounds of Love by Kate Bush. I’ve been waiting over a decade for the new Kate Bush album to come out and now it’s nearly arrived – that’s a definite buying event to look forward to!” Read more hereMotór, an award-winning Polish film by Wieslaw Paluch is set in 1983 and depicts the daily life of a group of provincial youths. Kate is featured on the soundtrack. (thanks Swan)…VH-1 Classic‘s Alternative show named Hounds Of Love a classic album on the 18th March. The US show comes on three times a week and they have been playing Kate at least once a week since the beginning of the year when they announced the new album. (thanks to Collin)…Mike from the Mick Karn website says that Mick has a new website, www.mickkarn.net, and is giving away free downloads of full tracks in high quality MP3 from many of his albums. As you know, Mick is said to be playing on the track “How To Be Invisible” on Kate’s new album….and finally, actor Russell Crowe’s iTunes playlist can be seen here. (thanks Christine)

Kate Attends Palace Music Reception

Kate was one of the invited guests at a star-studded reception held at Buckingham Palace yesterday to honour the British music industry. Other guests included Eric Clapton, Phil Collins, Brian May, Jeff Beck, Jimmy Page, Cilla Black, Shirley Bassey, Dame Vera Lynn, Jamie Cullum and Katie Melua. Today’s press has had fun with the fact that the Queen didn’t seem to know who many of the famous people were, and with the fact that Geri Halliwell arrived 40 minutes late (breaking royal protocol). On his BBC Radio 2 show today, Steve Wright spoke about meeting Kate at the palace. Steve’s co-hosts were eager to hear what she had to say about the new release and Steve acknowledged that like Mark Radcliffe they were very keen on having Kate do some things on the show. When Kate came up to him for a chat she told him that the new album “probably might not be ready by summer” at which point Steve’s co-hosts groaned, as they had believed it was coming out mid-year. Steve then went on about how she listens to his show. He also joked how he then had a word with her manager and told her that Kate doesn’t know what she’s saying, so just get on and release the album!” Well, doesn’t make a release date any much clearer really– but at least it would seem Kate means to have her eighth album out within the first 9 months of 2005. As always, watch this space. (thanks to Matt on the forum and Mary.)

Newsbits round-up

Newsbits: In the Metro newspaper on Monday 21 Feb, Kele Okereke from Bloc Party gave his “six-track mix” in the On My iPod column, and listed Wuthering Heights as one of his favourite tracks: “This song’s so theatrical and intense and melodramatic. That might turn people off, but I was exposed to Bush when I was very young and it really hit me. She’s an amazing lyricist, so playful with her words.” (Thanks to Rob Jones)…Word Magazine (March issue) has an interview with the 61 year old French singer Francoise Hardy. Mark Ellen the interviewer asked her about other female artists. He mentioned that Kate is making a comeback and gets this response: “I can’t stand Kate Bush. Too sharp, too high, too much…(she wrinkles her nose) shrieking.” Hardy was equally dismissive of Joni Mitchell and Joan Baez, but likes Annie Lennox, Norah Jones and Dido…The ARTE TV channel in Europe has aired a documentary about the artist Paul Gauguin that featured Hello Earth and Waking the Witch as part of the soundtrack….Peter Gabriel has put a dance remix of ‘Don’t Give Up’ up on his official website…in this month’s Record Collector Kate has been voted number one Female Solo Artist in the magazine’s annual Reader’s Poll. She also makes an appearance in the results for Most Wanted DVD with the Hammersmith Odeon at no. 10 (thanks to Goldfishnation)…Australian singer Delta Goodrem chose Wuthering Heights on a recent BBC Radio 2 “Tracks Of My Years”…Canadian singer Martha Wainwright (sister of Rufus) has been featured in the 25th February edition of Metro explaining who is on her iPod. On Wuthering Heights she says: “I love the melody, it’s really great. She does this song so well. I think anyone that can write a song this good and do it at such an early age is probably a genius.” (thanks to Jon Morte)

A jazz guitarist, Deirdre Cartwright has recorded an instrumental version of Wuthering Heights on her new album called ‘Blow the Fuse’ (thanks Tony)…Kiki and Herb (Justin Bond and Kenny Mellman) released their new album on Feb 1st – “Kiki & Herb Will Die For You.” The two-disc CD from the popular cabaret act includes “Running Up That Hill. For more information, visit www.kikiandherb.com (thanks KT)…Tori Amos has released a new album, The Beekeeper, resulting in several reviewers comparing her unfavourably (and some would argue unfairly) to Kate in light of the latter’s impending return – see this site forum’s Medialog section for plenty of Tori reviews with Kate mentions…and finally, thanks to Peter & Jonathan for sending in a scan of the latest “Up Queer Street” comic strip which mentions Kate from ‘The Pink Paper’. See the scan here.

Fashionably Kate?

The style section of The Guardian has commented on the current fad for all things ‘Kate Bush’: “The return of Ms Bush to the fashion cognoscenti’s consciousness is, in our humble opinion, the best trend for yonks. First, we had the pleasure of watching Fran Cutler (remember her?) at frostfrench’s show last week mouthing along to the song Babooshka. On top of that, in i-D this month, Bjork waxes lyrical about Bush’s influence, while Swiss artist Sandrine Pelletier creates images inspired by our Kate. Elle Girl, meanwhile, revels in her love of jumpsuits, leggings and legwarmers, all of which cropped up in the recent batch of London fashion shows. Designer Hussein Chalayan recently commented that his musical heroine was “before her time” and The Futureheads’ cover of her 80s hit Hounds of Love is out today. With a new Kate Bush album destined for release later this year, it’s time to big up your hair, start dancing freeform and let out a Heathcliff wail.” Read the article here…meanwhile the clothes designer Byblos has revealed in coverage of fashion week in Milan that Kate Bush was the inspiration for part of their collection. Behind the designer during one news segment was a wall with pictures of Kate. See an Italian news article here.

As mentioned in the Guardian article above, this month’s i-D Magazine (issue 252), titled “the feminine issue” has used The Kick Inside as its cover title. It contains a six-page spread of photographs of a Kate-themed installation by artist Sandrine Pelletier and a short essay by Björk about Kate. “From the catwalk to the club to the bedroom, her music and influence are suddenly here again. Here Swiss artist Sandrine Pelletier and Icelandic musician Björk present unique fan tributes to the myth, magic and mystery of Kate Bush.” Björk writes: “To me, Kate Bush will always represent the age of exploring your sexuality, when you change from a girl to a woman. All of that. There were so many records in my parent’s house, so I saw a lot of album covers. I thought they were all macho and occupied with power, things I didn’t like. I guess that’s what I found fascinating about Kate, she totally stuck out. She was so – what’s the word – so complete. The music, the lyrics and the way she looked, it all made sense. Especially for a thirteen or fourteen year old girl. It was the first time I had my own bedroom. Even though my room had just enough space for a bed and a desk I felt like it was a palace. My grandad gave me a big blue lamp with a blue light…It was like walking into an aquarium. It was then that I found a Kate Bush album and..you can imagine the rest, right? I used to close the door and didn’t want anybody to come in. My favourite songs have changed over time. I really liked the one about Peter Pan. Obviously I loved ‘Man With the Child in his Eyes’. Everybody adored Kate’s voice and a lot of people really noticed what she looked like but I think what is really underrated is the production. I think it’s really original and really feminine, but with more primitivity than women have, or what men would like to believe we have. If it had just been the voice and the look I’m not sure I would have been that into her – what’s so common, a girl that looks great and sings great. What’s very special about Kate Bush is that she didn’t do that. She created her own look and she produced her own sound. There’s a timelessness to Kate’s music, for me personally it has a nostalgic feeling. It’s not to do with ‘yes I listen to it’, it’s more to do with ‘I listened a lot to it from thirteen to fifteen’. I think that for someone like me, there hasn’t been many ladies to look up to in the pop world. Then when I was sixteen I started growing out of it, coming back to it occasionally like a box of memories…” (Thanks to Matt Denney and Michael Nurse)

The Sadie Frost fashion show mentioned by The Guardian showcased the latest collection from her FrostFrench label at London Fashion Week. The theme was “Russian Peasant Chic”. Models strode down a snowy catwalk to the strains of Babooshka. Read more here…The Independent on the 12th February had a piece where they approached fashion designer Hussein Chalayan (of Björk ‘Post’ album cover fame) to write about a musical heroine in their regular “heroes and villains” section. “I thought she was this amazing person that in some ways I could relate to. I felt that the work was such a bridge between fantasy and reality, and there was so much spirit in it. I just wanted to know everything about her work…to me she’s an emotional thinker, she’s somebody who made her emotions real through the music. There were so many references to emotion and to failure and to the good and bad, your relationship to nature, and your relationship to other people and I just felt it was so much richer than most of the stuff that was happening at the time…when I hear the music it makes me think that everything around me is wonderful. At times it’s almost like hearing a prayer, at other times it’s just like lunacy, and other times it’s just incredible engineering. In my view she deserves a lot more credit, but maybe the fact that she didn’t become too mainstream has made her remain more special…she’s a heroine for me because she’s never cared too much about public opinion. She’s done her own thing and I think that in her heart she did well, up to a point. She was very experimental and before her time, and I think that she can set an example for visual people like myself…I’m not easily impressed. But she did with music what people have done with writing. It’s incredibly inventive and forward-thinking. I always wanted my work to have that level of openness.” You can see a scan of the article here.  (thanks PDFM and Matt Denney)

Newsbits round-up

The New Statesman on the 7th February published an appreciative piece by Jason Cowley (a senior editor of The Observer newspaper) on Kate’s return titled The Wow Factor. “With her first single up for a Brit Award and a new album soon to be released, Kate Bush is back in a big way. It’s been a long wait, but she’s worth it” He describes Kate as a “complex and remarkable artist” who is “perhaps the most singular and talented female singer-songwriter and composer of her generation…there is no one quite like her. Without Kate Bush, there could have been no Madonna or Bjork, certainly in the guises – tough, independent, eccentric, committed, daring – that we know them…Bush occupies an ambiguous space between pop and the avant-garde, simultaneously working within and against the constraints of the pop song.” Read the full article here.

A week after the Cowley article appeared perhaps the inevitable happened. The backlash to all the expectant Kate coverage of late had to crop up somewhere, so enter David Stubbs on February 19th, who wrote a scathing analysis of Kate’s “comeback” in The Guardian newspaper, clearly relishing descriptions such as Kate having a “featherheaded fanbase” and calling her “first, foremost, essentially, incorrigibly, a show-off.” Well, it’s his opinion. Read the full article here…in their “Heating up 2005 – Top albums to watch for” section, MP3.com writes: “Though Kate Bush hasn’t released an album since 1993s “Red Shoes,” she’s suddenly been swept back up into the zeitgeist. There’s the blazing cover of her “Hounds of Love” by band-of-the-moment The Futureheads. There are constant shout-outs from Big Boi of OutKast. There’s a new satirical novel/biography, “Waiting for Kate Bush.” And at some point this year, there’s supposed to be a new Bush album. If the music even partially justifies the build up, 2005 is likely to be for Bush what 2004 was for Morrissey.’

Wuthering Heights was eventually beaten in the Brits 25 Song award by Robbie Williams, which provoked a lot of debate on the BBC website and elsewhere. The Sun newspaper felt that the voters had gotten it wrong and launched their own online poll after the Brits ceremony – Kate came third in this one (Robbie was 4th). In the tabloid’s “Bizarre” column on Feb 11th Victoria Newton wrote: “Angels is an above average anthem which is good to sing along to when you’re feeling misty-eyed in the pub. But it’s hardly changed the face of music like Kate Bush’s Wuthering Heights.” (thanks to JT Black)…Kate is currently Artist Of The Week at this BBC Radio 2 show here (vote for your favourite track to be played).

Futureheads Assault UK Charts with Hounds Of Love

Update 27th February: The Futureheads scored a new entry in the official UK Singles Chart today at number 8!

The Futureheads have released their critically acclaimed version of Kate’s Hounds Of Love in the UK on Monday and according to Homeground Magazine’s Dave Cross “the single is showing in the top ten of the midweek sales flashes…the position may drop a bit by the time the final chart is revealed on Sunday, but it’s looking good to stay in the ten.” (Trivia note: this would be the first Kate-penned top ten hit in the UK singles chart since Running Up That Hill in 1985, if you discount the sampling of Kate’s voice singing a line from Cloudbusting on the 1992 Utah Saints number 4 dance hit Something Good. It’s also the first time that music downloads will be a factor in the singles chart success of a Kate composition.)

The track has received excellent reviews. From the Top of The Pops website: “If Hayley Westenra is reading this, THIS is how you do a cover of a Kate Bush song, opera girl! The ‘Heads take a ’70s new wave power pop approach to songwriting, and then play as if they have too many good ideas and really, really short attention spans. Which can make listening to them feel like someone yelling interesting words from a dictionary, using a variety of comedy voices. Taking this ‘swots on caffeine’ approach to a genius pop song from another wayward talent ranks up there with jumbo Kit Kats as one of the great ideas of our time. Where Kate’s voice swooped and cajoled, the ‘Heads jibber and burp. Where her backing track was all drummy clatter, theirs is jagged guitars and urgent harmonies. Making this a rare example of a cover version that actually adds to your enjoyment of the original.”

The Gigwise website also reviews the single: “…both artists versions of Hounds Of Love excel in flair and panache, but the Futureheads bring something else to it – they stamp, with authority, their own stop-start guitar jabs and vocal ebullient flavour to the song. Voices and melodies materialise from every crevice and coagulate to form what has now become the spell-binding Futureheads trademark.” Drowned In Sound said “Sunderland’s finest haven’t just left their own indelible footprints on here, but merely stamped the remnants of Ms. Bush’s quirky ballad into the carpet with last night’s dinner’s morsels, and if it weren’t for some long time dead bloke from Tupelo, would surely be gracing the top of the charts by this time next week.” BBC Teletext: “Cover versions aren’t always a good idea, especially when the song was a classic to start with – but the Futureheads have done a grand job with their version of this Kate Bush hit, chucking in guitars and harmonies, upping the tempo and giving it their own sense of identity. A winner.” Metro newspaper has named it single of the year and given it 5 stars. You can read even more articles and reviews of The Futureheads in this site’s forum’s Medialog section.

Quick update

Just a quick update – two things relating to the single everyone is talking about, The Futurehead’s version of Hounds Of Love. You can watch the video for the song at the NME site here. Also, the song is being featured as Jo Whiley‘s track of the week at her Radio 1 site here. The single is released in the UK on February 28th. (thanks to Ben & PDFM. Note: I haven’t been doing these recent updates at my usual computer so if your news or email haven’t been acknowledged it may be next weekend before I get to it – thanks for your patience!)

Newsbits…

Newsbits: The press release for The Futureheads single Hounds of Love is here: “The Futureheads cover ‘Hounds of Love’ is a showstopper, beginning with Ross and Jaff’s a capella call and response yelps, the songs explodes into euphoric life with Barry’s feverish delivery of Kate’s once sensual words and a riot of overdriven guitars and search and destroy drumming courtesy of the coolest incumbent of a drumstool, Mr Dave Hyde.” (thanks to PDFM)…The Jan 5th edition of Time Out London magazine looks forward to the year in music: “The reclusive banshee of Olde Albion has confirmed that her first album since 1993 will be released” In the same issue there is a people of 2005 page which along with Johnny Depp and Kylie includes Kate. (thanks Monty and Ben)…The 17th January edition of the Daily Mail has a full page feature on Kate which manages to rehash tired old tabloid nonsense with the headline “As she plots her comeback a tantalising glimpse into the bizarre world of Kate Bush.” The article quotes from a supposed interview with Kate’s father also. (thanks to hatbar)

TV presenter Davina McCall reveals that her favourite song from the last 25 years not on the Brits25 list is Jig of Life in this interview…the February editon of Burn magazine includes Kate in a list of “the post punk classics that shaped the sound of now”. The Sensual World is at number 9. Kate is described as having been a “posh teen with immense talent” who’s “shy self belief morphed from pin-up to near recluse.” The vibe of the track is described as “sex and romance in the most mellifluous way. Bush’s intention was sensuality through sound. It works. Hear it in Goldfrapp” (thanks ben)…More mentions of Kate by Erasure in the Belfast Telegraph this time here. “Kate Bush has done an album that’s been ready for two years, but she’s a real perfectionist and if there’s one little thing wrong, she won’t release it until it’s right.”…BBC Radio 2 are continuing to gear up for a new Kate release, playing Babooshka and Wuthering Heights last week…Kent On Sunday had an article on Kate in their 16th Jan edition entitled “Visionary Kate Still Hitting the Heights” celebrating her placing in the Brit Song shortlist. (thanks to crowroad)…singer Daniel Bedingfield was asked by Cat Deely what he thought of this years Brits on CD:UK on 15th Jan. He said that he was thrilled to see Kate nominated for Wuthering Heights which he called “a classic song”. (thanks to Ben)…Corrine from Swing Out Sister was on Jazz FM on Jan 12th praising Kate and her past achievements. She mentioned she loves the Lionheart and The Sensual World albums and is looking forward to the new work. She also talked about the “whole industry” being wild with news of a new album. (thanks to binny binny)…Running Up That Hill appears on a new US compilation “Left of the Dial – Dispatches from the 80s Underground”, a 4-CD set from Warner/Rhino. (thanks to Jon Thomas)…and finally Krys from Homeground Magazine tells us that they are aiming to get issue 75 out by early March, possibly sooner, leaving issue 76 to hopefully be the album issue(!). “This is going to be a great year!” We all agree – best of luck with the mag Krys, more info as ever at the Homeground pages…(additional thanks this update to Kyla & Russ Thomas)

New Album Media Buzz Continues. Marc Almond NOT on new album. Wuthering Heights Up For Brit Awards Vote.

Happy new year to all this site’s visitors! The news that Kate will be releasing an album this year has continued to spread. You can keep up-to-date on all the latest media reports daily in our site forum’s new Medialog section which Peter has kindly created for us.

Cartoon of Kate from The Sunday Times 26/12/04The BBC website seems to think that this is the official Kate Bush website (it isn’t), but it is great that Mark Radcliffecontinues in his campaign to get Kate live on air, he now links directly to this website from his BBC Radio 2 page hereThe Daily Mirror has had a large article entitled “Kate’s Big Comeback”, the article finishes with: “Her loyal fan base means next year’s album will be a big seller. What is less clear is how Kate will cope with the blizzard of publicity that will inevitably accompany it.” The Sunday Times has featured a glowing profile of Kate here, which was accompanied by a cartoon (right). “Her success was all the more notable because she was one of the few women to be taken seriously in the male-dominated world of pop, governed at the time by the aggressive sounds of punk…now she is ready to face the spotlight again. This, remember, is a female star whose versatility has perhaps never been surpassed, who pioneered the fusion of dance and circus entertainment in pop and conjured a new persona with each song. For fans, the anticipation is palpable.” The 7th January edition of The Sun has a piece on the big albums planned for 2005: “This could be the biggest comeback since Lazarus. 12 years on from her last album, The Red Shoes, and 27 years since Wuthering Heights, the warbling songstress is back. Her individual style is never less than fascinating but will it survive in 2005’s guitar-band world? Probably.” Further afield, in the USA the major entertainment news provider Entertainment Weekly has carried the story here. Other stories have popped up in the AustralianJapanese and Norwegian press. The new edition of Q Magazine lists Kate’s new album as number 8 in their Top Ten most anticipated new releases for 2005, their verdict being: “Album of the year? Our fingers are crossed.” Q Magazine and a number of other sites have repeated the rumour that Marc Almond has duetted with Kate on the new record. On his official site two days ago it is stated: “Unfortunately, rumours about a duet between Marc and Kate Bush are not true. The rumour has been flying around for some time on the web and was mentioned in the current edition of Q magazine. Marc says he has not been approached nor does he know of any of his songs (‘Youth’ has been mentioned) being covered. He wishes he could confirm the rumour as Kate is one of his all time favourite artists and he looks forward to her long awaited new album, one of the big music events of 2005.” Similar rumours about Dave Stewart collaborating remain unfounded.

Davina McCallWuthering Heights is one of 25 songs nominated in the new category of Best British Song at this year’s Brits. To celebrate 25 years of the Brits, they are having a one-off award for Best British Song of, for some reason, the last 27 years. Wuthering Heights is one of the 25 songs in the initial nominations, but these are going to be whittled down to five, based on the general public’s votes up to and including 9 January. If you register, for free, at http://brits.co.uk/vote/ you can vote immediately and get our Kate on the rostrum. (Thanks to Rob Jones) This vote will be featured on Davina McCall’s radio show (she’s a big Kate fan) and this news has also been widely circulated such as in the Independent here.

Erasure’s Andy Bell is asked in the current Attitude Magazine which songs make him weep: “Song to the Siren by the Cocteau Twins because it just gives me the goose bumps and Moments of Pleasure by Kate Bush [starts singing it]. Oh god! When we were doing the ‘Wild!’ album we went round her house and she was so lovely and made us tea and cakes. They should re release her stuff. I think she’s finished her next album, but shes a perfectionist so who knows when it will come out.”

The NME has published a full page article here called “Why I Love Kate Bush” by The Futureheads. “The idea of us covering ‘Hounds Of Love’ came from a couple of summers ago…Jaff our bassplayer had made a compilation tape and ‘Hounds Of Love’ was on it. Christine, the bass player in the other band, was saying how great it would be to play that live because obviously Kate Bush is pretty much reclusive and never really does shows. There’s all this talk about her making a new record, but it’s been going on for the last five years and no-one knows if it will ever see the light of day. We were thinking that it’s a brilliant song and we thought we’d try and work it out – a little challenge. We got home and it was a really quick thing. And when we played it… it just stuck. People were going barmy for it. I think that something we try to take from Kate Bush are the arrangements of the music. She made quite melodious pop music, but it’s really clever. It’s not traditional verse/chorus/verse song structure. There are interesting parts coming in and out of the songs all the time. By the time she made ‘Hounds Of Love’, she was doing everything herself. She produced the record, she arranged it all, she wrote all the songs. And you’ve got to have respect for someone with that level of control. Aside from making great music, she was a fox back in the day. All the sleeve artwork on ‘Hounds Of Love’ – wow – she has it all, really. She could really sing, she could really play, she called all the shots and she was a beautiful woman as well. It put her in a very powerful position. She also carries a great mystique because she’s a complete recluse. I know that she was some kind of child prodigy – she signed a development deal with EMI when she was 14 – and was always geared towards making that first album, ‘The Kick Inside’. I don’t know how she dealt with it, but that’s really intense pressure. And she delivered the goods. She has written some classic albums and all have a little identity of their own.”

Newsbits: On ABC TV (Australia) the “Rage” program (8th Jan 2005) will feature a “Countdown” episode (26 Oct 1980) featuring an interview with Kate and they also play the “Babooshka” video. After the episode they play four more videos by Kate. See the Rage site here. (Thanks Shaun)…On January 29th US radio show Rockwired will be showcasing Kate’s debut album The Kick Inside at 5pm (PST). From the press release for the show: “I could call her beautiful. I could call her mysterious and enigmatic. She’s a prodigy, a musical genius and one of the most stunning singer-songwriters and performers in music. I could say all of that and it wouldn’t do Kate Bush any justice. The Kick Inside was her debut album back in 1977. At the age of seventeen she made her mark and didn’t have to bare her mid drift to do so.” Listen to the show here. (thanks to Brian Lush at KTSTFM)…London guitar band Bloc Party, dubbed the “new Franz Ferdinand”, have come second in the BBC News website’s Sound of 2005 poll to find the most promising new acts. Asked for his cultural heroes, lead singer Okereke says he respects Kate Bush, Bjork and Davids Bowie and Byrne – “artists that haven’t ever compromised”. Read more here…Best Radio, one of the most popular radio station in Athens had it’s listeners vote for the “Best song of their lives”. Over 1.000 songs were voted in total, and Kate was at number 48 with Wuthering Heights. (Thanks to Neil Gibbs, Tim Rees, David Sheasby, Yiannis and all the posters on our forum, particular thanks to PDFM for sorting through all the news posts and putting them all in one place on EZboard!)

Daily Express article

Last update till after Christmas, just to let you know there’s a two-page spread on Kate in today’s Daily Express. Under the heading “The Return of Pop’s Great Recluse”. They have also been chatting to other journalists such as Stuart Maconie on his thoughts about Kate’s return. (thanks to Matt)

Kate’s New Album News All Over The UK Press

Kate in The Times 23/12/04There has been an explosion of press coverage about Kate’s KBC announcement over the past few days, most are variations of the same news recycled from Music Week, although longer pieces have been printed in The Telegraph and The Times in the UK. The BBC website has posted a story and a link back to this site. The Evening Standard ran a story “Comeback Kate” and including nice comments such as ‘a unique performer who inspired a generation’. Other news stories have appeared on Sky NewsFemale FirstAnanova,Contact MusicLaunch MusicThe Daily MirrorThe SunPlay LouderThe Sunday PostSound Generator and various TV teletext services across Europe. (big thanks to Ben on the site’s forum who has been gathering news mentions and links from all over)

It all amounts to a surprisingly broad splash of pre-publicity for Kate’s eighth album, with BBC Radio 2 playing December Will Be Magic Again, Moments Of Pleasure and Hounds Of Love in recent days. The Telegraph featured an article by Richard Wolfson: “The very existence of this novel, Waiting for Kate Bush by John Mendelssohn, is an indication of the bizarre levels of obsession that Bush still inspires. Despite her decade-long absence, the 46-year-old from Bexleyheath still holds a central place in the national consciousness. As I wandered around London, having just purchased a copy of the book, periodically someone would catch a glimpse of Bush’s face on the cover and grab my arm. “She’s absolutely brilliant. I love her,” said the Glaswegian security guard at the building works around St Pancras. “Can I see that?” said an 18-year-old a few yards further on, who would have been about seven when Bush’s last album, The Red Shoes, was released. “I really need to check her out. Muse say she’s their biggest influence.” It is not just the music that has been influential. It is the scale of her theatrical ambition which makes her such a compelling figure, and which makes the prospect of new material next year something to savour.”

The Times today has a large article on page five, as well as a picture of Kate in its front cover. David Sheasby has scanned the article for me: “The article is mainly a compendium of info that has been posted on this site over the past couple of years – in fact, the article refers at one point to “her website”, by which I think the writer means Kate Bush News and Information.” The article, written by Adam Sherwin says: “Twelve years after her last release, one of pop’s most mercurial performers has delivered a surprise Christmas present to her long-suffering fan club. The record features the last work of Michael Kamen, the composer and arranger, who died last year. She has also been working with Mich Karn, bassist with Eighties new romantic group Japan, drummer Stuart Elliott and jazz percussionist Peter Erskine. The London Metropolitan Orchestra will feature with two classical musicians, Emma Murphy and Susanna Pell. Bush, 46, burst on to the music scene as a 17-year-old with the swooping Brontë-inspired Wuthering Heights. She was noted as a unique performer who combined musical theatre, dance, poetry and rock. But she retired from live performance in 1979 and her recordings became more rare, despite huge successes including Hounds of Love in 1984. In 1993 she released an album and a self-directed film entitled The Red Shoes, then retreated to her home near Reading to sculpt and work on an untitled project. Her record company, EMI, has waited patiently for the results. Her long absence even inspired a novel, Waiting for Kate Bush, by John Mendelssohn. But what everyone, not least EMI, would like to know is when the album will be released. “We’ll let you know,” Bush writes. March has been hinted at. Bush returns as a new generation of artists recall her as an inspiration. OutKast, the US rap group, want to produce her next record. Madonna, Björk, P.J.Harvey and Katie Melua have revealed the debt they owe to the doctor’s daughter from Bexleyheath, southeast London. A cover of Hounds of Love by hotly-tipped rock band The Futureheads is to precede her return to the charts. The music industry sought to lure her back with the offer of a Brits Lifetime Achievement Award but she rejected it because she would have to perform live. Three years ago she accepted Ivor Novello and Q Magazine awards, even making a surprise appearance to perform Pink Floyd’s Comfortably Numb with Gilmour at the Royal Albert Hall, prompting speculation of a return to the concert stage.” (big thanks to David Sheasby)

Australian newspaper The Age has a long article about Kate and the Waiting For Kate Bush book here…(thanks to Andrew Thompson)…Tom Hingely of Inspiral Carpets mentions that he’s a Kate fan in an online BBC interview: “I’m listening to some old compilation albums of Kate Bush! I’ve three daughters and I’m getting them in to listening to that. I actually hated Kate Bush when she first came out – it took me 20 years to realise that she totally brilliant! I find quite good ‘girl music’. I know that’s going to cause problems. But I find it very sensate and feminine – very different from what I do.” Read more here (thanks to Ben)….on Erasure‘s New DVD “The Swan, The Tank and The Balloon”, from their 1992 “Fantasmagorical Tour” there’s a recent interview with Andy Bell. The opening of the show featured him coming in on a swan-cart for the song “Siren Song”. When asked why a swan to open the show, Andy Bell answers: “Because I loved– There’s a Kate Bush song called Lord of the Reedy River. Well, it was written by Donovan, but she did a version. And the first line of the song is “I fell in love with a swan”, and it seemed to tie in with a song called Siren Song.” (thanks to when lingers on the forum)…a film called Women Talking Dirty on Channel 4 featured Kate’s version of Rocket Man…

The NME ran a full page photo of Kate with the caption “How did this woman blow Andre 3000‘s mind?”. The article is on page 29 and covers artists who’ve had an influence on today’s pop stars. The piece is very complementary, indicating that without Kate there’d be no Goldfrapp, PJHarvey or Bjork. Describing her as the original quirky-something, the article says “Kate Bush is worshipped around the globe for a) having an amazing unique voice, b) being a brilliant songwriter, and c) being really hot. But she’s not a workaholic. She released two albums in 1978, four in the 80s, but there’s been nothing new for 12 years. Without Kate there’d be no PJ Harvey, no Courtney Love and no Goldfrapp. True, there’d be no Bjork either, but we shouldn’t hold that against her. Anyway, the wait is-probably-nearly over. She’s been recording her new album for at least five years. In October 2001 she said “I am making an album but it is taking a little longer than I thought”. A track called, rather pertinently, “How To Be Invisible” is one of the few that’s known to exist. Try The Futureheads’ favourite ‘Hounds of Love’ from 1985; its a loveable bastard of a record, stuffed with bonkers, mammoth hits that were never off the radio. ‘Running Up That Hill (A Deal With God)’ was one of the defining tracks of the 80s. OutKast’s Andre 3000: “Kate Bush’s music opened my mind up,” he said recently. “She was so bugged-out, man, but I felt her. She’s so f*ucking dope, so underrated and off the radar” (thanks to Matt Denney)

Maggie Ball has written a review of the Waiting For Kate Bush book here (thanks Maggie)…Kate has been mentioned in a new philosophy book by Julian Baggini “What’s It All About?: Philosophy and the Meaning of Life”. In the review the quote from the book is “The lyrics of Kate Bush…are really quite profound if you think about it.” (thanks to Darrell Babidge)…meanwhile Kate’s heavy metal credibility is briefly discussed in Seb Hunter‘s recent book ‘Hell Bent for Leather – Confessions of a Heavy Metal Addict’. Hunter writes: “There was even a time when Kate Bush was considered borderline Metal, but I’m not sure why. I think it might have been a simple sex-object thing. Maybe it was just because she had really long hair. Or because she crimped it”. (thanks Liza)…a blog poster has the Hammer Horror video here. (thanks to L. Thompson, also thanks to David White, John T Black, Simon Clark, Brian Parker and Amanda Williams). Wishing all our site visitors and forum users a very happy Christmas! Thanks for all the support this year! Seán.

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