Tjames Madison at Soundspike is a lover of Kate’s voice:
“Bush remains a singular talent draped in the furs of surreality … It feels like she’s talking about herself by not talking about herself, and why not? The spiky peaks and higher peaks of her youthful chops have been replaced with a sort of smoky mid-range purr, all the better — devoid of much of that voice’s avant garde divisiveness — to examine her role in our modern world as mentor to a bumper crop of spiritual progeny … The instrumentation — Bush accompanying herself with stark, lovely, slightly jazzy piano; the occasional muffled guitar or brushed cymbal or sublimated string section drops in — is gorgeous, and the first half of the wintry song-cycle arrives exactly like its subject, a light, enchanted icefall in near-silence, everyday magic unfolding before your eyes. The tunes wander long and walk softly in this world … But all is not perfect. Elton John’s sudden appearance on “Snowed in on Wheeler Street” feels like an unwelcome intrusion … Fortunately the demure “Among Angels” ends the set back where we started, lost in that haunted, white-dusted graveyard, Bush alone once again with her voice and her piano…”